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The Light in the Forest

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The Light in the Forest

Review

“Rebellion, glowing vitality. . . . The spirit of the wild frontier. . . . An absorbing story, marked by Richter’s uncanny skill in recapturing the atmosphere of the past.” –The New York Times Book Review“Memorable . . . Richter tells the story with [a] glowing passion for unspoiled nature. . . . It is impossible to doubt the detailed . . . accuracy of the picture.” –New York Herald Tribune“Good reading for anyone curious about the past of our country.” –The Yale Review

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From the Inside Flap

When John Cameron Butler was a child, he was captured in a raid on the Pennsylvania frontier and adopted by the great warrrior Cuyloga. Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them. A beautifully written, sensitively told story of a white boy brought up by Indians, The Light in the Forest is a beloved American classic.

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Product details

Mass Market Paperback: 192 pages

Publisher: Vintage; Reprint edition (September 14, 2004)

Language: English

ISBN-10: 1400077885

ISBN-13: 978-1400077885

Product Dimensions:

4.2 x 0.5 x 6.9 inches

Shipping Weight: 2.4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

175 customer reviews

Amazon Best Sellers Rank:

#48,192 in Books (See Top 100 in Books)

The first time I read this, as a school assignment, more than 50 years ago, I accepted it as little more than a nice story. Yes, this is a work of fiction but the fiction exists only in terms of the specific dates, names and places. Everything, which occurs, in this book, really happened, commonly, in our country’s 17th through 19th century histories. Unfortunately, most of our public grammar schools, even most of our public high schools, still teach history as little more than a series of unrelated, unconnected dates, places and names, to be committed to memory. No connections are made, to the circumstances, causes or conditions, which surrounded the people and places or generated the actions. It’s not until one gets into undergrad school that one has evan a small chance of understanding history, in the related-circumstances or bigger picture senses. This book is an excellent introduction, for youngsters, to understand how and why some things occurred, not just that they happened in an apparent vacuum. While our Native American tribes had absolutely no comprehension of the concepts of DNA, RNA or heredity, they knew, from the first-hand results of their continuous inbreeding, that they needed diversity, from outside their limited circle, to keep their groups functional and competitive, with the other tribes. Theft/adoption, of women of child-bearing ages and children, from other tribes or societal groups, was their way of exercising their sole ability to cope with those diversity needs. This novel explains these things, at a level compatible with tweens and early teens, without making it seem like they’re receiving a history lesson.

Conrad Richter spins a powerful tale in a short time. His writing style reminds me of Richard Connell ("The Most Dangerous Game") in that he can deliver so much with so few words.This is as much about the collision of vastly different cultures as it is about a boy caught between them. John Butler, the son of a prominent Pennsylvania frontier family was kidnapped as a child by Delaware Indians during a massacre; Indians who were seeing their homeland usurped by white settlers and were making a last stand against them.The Indians brought up the boy as an Indian, giving him the name True Son; his own acceptance of the new way of life began to grow and deepen within him, so that when he was brought back to his own family eleven years later, he had formed distinct opinions of his own against the whites; in his own mind, he was not White, but Indian. He loved and appreciated all things Indian; the forests, the rivers, the animals and birds of the woods; the religion of the Great Spirit. Richter's descriptive passages delve deep into the psyche of a youth torn by opposing forces between two worlds, while one single world is the one he has accepted as his. As his birth family struggles to reclaim him, it drives all of them against each other, in a fierce battle of wills that none of them will truly triumph over when all is said and done.Another excellent novel with a similar, more modern theme regarding a childhood friendship between two boys,one white,one red,until adulthood intervenes,is "Crazy Weather" by Charles McNichols.Another Conrad Richter tale I highly recommend is "Sea of Grass" which is also about the frontier, (New Mexico) but with an entirely different context. "Sea of Grass" and "The Light in the Forest" are both slim volumes, but with a lot in between the pages.

Conrad Richter paints a masterpiece with mere words. This is a most beautiful story. I want to read everything he has written. I'm starting with The Trees and am not disappointed. He creates characters and scenes that live and breathe.

Perhaps somewhat dated in terms of its handling... but much has happened which has changed the way we think since the 60s... This book was well suited for me as a budding adolescent, and it still touches me in my late 60s... I believe that I described the book as 'Provocative' when I was 12 years old.

This is a typical Conrad Richter book, with skillfully-rendered dialects and a plot that rings true, coming from the eastern United States a couple of centuries ago. Without spoiling it, Richter deals with the hardships of repatriated Indian captives. Personally, I liked his "Awakening Land" trilogy more, but this was an authentic read.

I liked this book because it resists the temptation to Idealize the American Indian. The main character was taken as a youth by indians from his family then forced to return years later. He does not get along well with his real family He does not admire or understand his father who as a pale sickly older man lives his life indoors working as an accountant. He does not like living indoors. The only one he bonds with is his much younger brother. He runs away from home back to his indian family but on a raid with them he is horrified when they kill the children of the settlers they attack. He is left between two worlds unable to adapt to civilized life and unable to live with the murderers he finds himself among.

Great book, bought it since it was one of my favorites when I was young. Arrived in excellent condition.

Beautifully written, A Light In the Forest is the tale of a young boy torn between worlds, fiercely prejudiced against each other. True Son, a fifteen year old white boy was taken in by a Native American tribe when he was only four years old, and sense then his hate for the white people has grown stronger and stronger. But now that he is forced to return to his original family, he learns that his " Delaware " people are just as flawed as any culture or civilization. This book is both a coming of age story as well as a tale that blurs the lines between right and wrong. A surprising page turner, I thoroughly enjoyed this book.

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Product details

Paperback: 90 pages

Publisher: CreateSpace Independent Publishing Platform (November 8, 2017)

Language: English

ISBN-10: 1979586705

ISBN-13: 978-1979586702

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 6.7 ounces

Average Customer Review:

1.4 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,713,199 in Books (See Top 100 in Books)

I ordered this book because it was published very recently and had some good reviews I am disappointed that there are few photos and little detail about Australian cities.

Didn't provide as much information as I expected.

This book was written like a 5th grader’s school report... including typos. Amateurish with little content. What travel book doesn’t include a map of the destination?

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God Loves Me Bible, Newly Illustrated Edition: Photo Frame on Cover, by Susan Elizabeth Beck

God Loves Me Bible, Newly Illustrated Edition: Photo Frame on Cover, by Susan Elizabeth Beck


God Loves Me Bible, Newly Illustrated Edition: Photo Frame on Cover, by Susan Elizabeth Beck


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God Loves Me Bible, Newly Illustrated Edition: Photo Frame on Cover, by Susan Elizabeth Beck

About the Author

Susan Beck lives in Michigan, and enjoys reading, writing, and baking.

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Product details

Age Range: 2 - 5 years

Hardcover: 128 pages

Publisher: Zonderkidz; Newly illustrated ed edition (August 25, 2013)

Language: English

ISBN-10: 0310743745

ISBN-13: 978-0310743743

Product Dimensions:

5 x 0.5 x 7 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#146,054 in Books (See Top 100 in Books)

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Love these beautiful personalized books for my grandkids

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Ebook Free Flight: 100 Greatest Aircraft, by Mark Phelps

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About the Author

Mark Phelps traces his passion for aviation back to age eight, when he’d fill up on stories of flight’s heroes, past and present, at the local library. After learning to fly after college, he landed a job as an editor at Flying, where he still contributes stories today. With 1,800 hours logged in the air, Mark is an active instrument pilot. He lives in New Jersey with his wife and twin sons. Robert Goyer has been with Flying since 1994 and has been editor-in-chief since 2010. During his time there, he has written and photographed hundreds of stories. His monthly opinion piece is one of the most popular columns in aviation, and he is the recipient of the NBAA’s Dave Ewald Platinum Wing Award for excellence in journalism. A land and seaplane pilot with thousands of hours in his logbook, Robert has flown more than 200 types of aircraft. He lives in Austin, Texas, with his family. Inspired by the transatlantic flight of Charles Lindbergh, the Flying brand took off in 1927 as the ultimate aviation magazine for flight enthusiasts, exclusively written from a pilot’s perspective. More than 85 years later, that formula hasn’t changed: Flying still brings its readers comprehensive coverage of personal aviation, including first-person flight reports, industry news, technology trends, and safety guidance, along with award-winning illustration and eye-catching photography.

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Product details

Hardcover: 240 pages

Publisher: Weldon Owen (December 24, 2013)

Language: English

ISBN-10: 1616286067

ISBN-13: 978-1616286064

Product Dimensions:

11 x 1.1 x 10 inches

Shipping Weight: 3.9 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

38 customer reviews

Amazon Best Sellers Rank:

#64,218 in Books (See Top 100 in Books)

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Bought this book for my older brother, who was a soldier in the late 1950's and who later worked for an airplane manufacturing company. He has always been fascinated by airplanes, so this gift was very appreciated by him!

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This was a gift for my brother-in-law. He loved it

Gave this as a present to a retired military friend. It made quite a hit. I practically wore it out reading it myself! Love the pictures.

Perfect gift for my airplane obsessed son. Beautiful photography and much detail.

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Download Ebook The War Below: The Story of Three Submarines That Battled Japan

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The War Below: The Story of Three Submarines That Battled Japan

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Audible Audiobook

Listening Length: 14 hours and 20 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Blackstone Audio, Inc.

Audible.com Release Date: May 14, 2013

Whispersync for Voice: Ready

Language: English

ASIN: B00CLFDN7E

Amazon Best Sellers Rank:

This is an excellent book about WWII submarine warfare in the Pacific, focussing on three particularly successful submarines. I give it only four stars because of two main shortcomings. The first is organizational. The organization of the book is sometimes confusing. Each boat was active for slightly different time intervals, and it might have been difficult to describe what each was doing at roughly the same time. Instead, the author chose to hopscotch among the three, chapter by chapter which has the effect of making it difficult to keep the chronologies straight while reading. I would have preferred it if the author had simply divided the book into three sections and within each section describe the experience of each boat completely. A fourth section, which in fact is properly treated separately, deals with the aftermath regarding how the war ended and the experiences of U.S. prisoners of war in Japanese prison camps.The second shortcoming is that the scandalously defective torpedoes that plagued our submarines during the first half of the war is mentioned, but the subject is not given nearly the treatment the situation deserves. How could American submarines have been ordered to sea with torpedoes that were never tested to see if they actually worked? That in fact is what happened. Many or most ran deeper than they were set and did not explode when they hit a ship because the firing pins bent from the impact. The book states that many American lives were lost as a consequence, and some skippers even resigned from the Navy as as result of being disbelieved by the Navy's Bureau of Ordnance that the attacks had been perfect and the torpedoes were at fault.

By following the exploits of three submarines and their rotating crews as they fought it out against the Japanese during World War Two, the author does a masterful job in writing an account of the "war below" in the Pacific, from Pearl Harbor to Tokyo Bay.I find in this book the perfect balance between different components: introducing the reader to different characters (the subs' skippers) and their leadership philosophies without getting bogged down in biographical details; providing context by chronicling the main war developments without getting lost in yet another narration of the Pacific campaign; and giving an idea of how life was on a submarine without getting lost in technicalities.The accounts of the combat patrols give the reader a sense of what it was like, what the challenges were, and how bravely these sailors did their duty.Bravo

Mediocre writing, superficial details of many, many sailors (and captains) gets tedious. Odd jumps to overviews of the total Pacific war. Better to devote a chapter to the overall role of submarines in the campaign, and to a description of the Pacific campaign itself. There was tremendous improvement in submarine design, and technology, during the war, but this is never covered. Indeed, the central issue of malfunctioning torpedoes is alluded to time and again. A detailed chapter on how the problems were solved would have been a great addition, particularly since the torpedoes deficiencies affected careers, the demise of the Tang, etc. Indeed, toward the end, there is a 'throwaway' reference to the 'removal' of the anti-circling device from the torpedo that sank the Tang, but nowhere else in the book is its invention or installation ever mentioned. This is 'journeyman' history; more in depth development of fewer individual captains and sailors would have been useful. The details of each attack on a merchant ship, by each submarine, quickly get tedious. The author touches dozens of central submarine warfare issues, often with only a sentence, or paragraph, and then moves on. The final 10% of the book, focused on the horrors of treatment and torture of captured servicemen is gratuitous, repetitive, and suggests an author who wasn't quite sure what he wanted his book to be about.

Action packed, if uneven account of the submarine warfare and early life in the silent service in the wake of Pearl Harbor. The story telling is good, but the toggling back and forth between the three different subs and their respective commanders did not always flow; it's a minor criticism. Scott is able to illustrate the strategy and tactics of American sub warfare over the course of the war; the focus on sinking enemy shipping, the move away from escort, recon, and rescue, and the faulty torpedo controversy that plagued sub skippers. Overall, a nice piece of work and exciting read. In contrast, Iron Coffins, which chronicles the life about a Uboat from the perspective of it's commander who began as an ensign at the start of the war is superior in breadth and scope as well as the quality of the writing; will give a nice perspective of enemy operating in North Atlantic.

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Get Free Ebook Nature Illuminated: Flora and Fauna from the Court of Emperor Rudolf II (Getty Trust Publications: J. Paul Getty Museum)

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Nature Illuminated: Flora and Fauna from the Court of Emperor Rudolf II (Getty Trust Publications: J. Paul Getty Museum)

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Nature Illuminated: Flora and Fauna from the Court of Emperor Rudolf II (Getty Trust Publications: J. Paul Getty Museum)


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Nature Illuminated: Flora and Fauna from the Court of Emperor Rudolf II (Getty Trust Publications: J. Paul Getty Museum)

Amazon.com Review

The most important legacy of the Holy Roman Emperor Rudolf II is the Mira calligraphiae monumenta, a manuscript comprised of illuminated pages of calligraphy. Around 1561 a master calligrapher wrote the text as proof of his preeminence among scribes. After his death, a master illustrator was employed to illuminate his writing, and the outcome is a rare combination of words and images in small-scale drawings--considered one of the wonders of Renaissance Europe. This book culls different plates from the collection that are each unique, consisting of lavishly executed text in Roman and Hebrew letters accompanied by realistic and detailed drawings of plants, animals, and insects.

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From Library Journal

Demeude's preoccupation with letters has led him to bring together illuminated initials and ornamental characters from 12 centuries of alphabets and typography, ranging from 8th-century sacred manuscripts to 20th-century mass-produced postcards. Included are samples from over 100 alphabets created by such artists as Durer, Holbein, Daumier, and Kate Greenaway. The animated letters may be draped with the human form, used to offer historical or biblical scenes, or entwined with naturalistic scenes. While the accompanying historical notes and essays are succinct, the visuals will be of the most value as a study collection. The Getty's diminutive (51/4" x 71/4") volumes contain reproductions and notes on calligraphy and miniature paintings from a work commissioned by the court of Holy Roman Emperor Rudolf II during the 16th century. Currently in the J. Paul Getty Museum, the Mira calligraphiae monumenta (Model Book of Calligraphy) is the combined effort of master calligrapher Georg Bocskay and court artist Joris Hoefnagel. Considered one of the most precious books of the European Renaissance, it represents the transition from medieval European manuscript illumination to the emergence of the floral still life genre of the early 17th century. Nature Illuminated contains reproductions of 41 manuscript pages with meticulous studies of flora and fauna. An Abecedarium contains 38 illuminated reproductions of Roman capital and Gothic lowercase letters. These unique titles are best suited to specialized art and design collections.?Judith Yankeilun Lind, Roseland Free Copyright 1997 Reed Business Information, Inc.

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Product details

Series: Getty Trust Publications: J. Paul Getty Museum

Hardcover: 64 pages

Publisher: J. Paul Getty Museum; 1 edition (July 10, 1997)

Language: English

ISBN-10: 9780892364725

ISBN-13: 978-0892364725

ASIN: 0892364726

Product Dimensions:

5.5 x 0.4 x 7.5 inches

Shipping Weight: 0.8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#218,951 in Books (See Top 100 in Books)

I love this book! Even though this is only in a small format, I find it to be a little gem! Not a lot of accompanying text but the information is concise. An excellent selection of botanical illumination of old manuscripts, each colour plate is a joy to behold. For what the book costs I would say that it's really worth having!

A little snippet of the Mira Calligraphiae Monumenta. love this little book

This is a great book for those who appreciate beauty in nature. I find that just paging through the gorgeous artwork of natural objects and flowing calligraphy is very soothing. The book is smaller than I expected but its content does not disappoint. Makes a wonderful gift for special friends. I bought my copy for myself but I might buy others in future as gifts for friends.

The pictures are alright, but I think the small size really affected the clarity. I think this was just a case of it looking much more appealing/cooler online than it was in real life. Not terrible, but def not great.

Such a little jewel of a book! Artists, naturalists, botanical illustrators,art historians, and lovers of beauty will find this tiny volume to be rightup their alley. Smaller than I expected, but perfect.

perfection on a small scale; a delight. A perfect gift for a lover of botanical illustrations as well as calligraphy.

Although just a small book, studying the examples included within reminds one of the major steps taken in the study of nature

Just beautiful, useful, very good for crafts, useful information about all sorts of flowers and plants. Used it for my decoupage projects

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Product details

File Size: 7138 KB

Print Length: 368 pages

Publisher: NYRB Classics; Reprint edition (November 24, 2015)

Publication Date: November 24, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00TNBOI0A

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One of the greatest books of all time about the art of Dance!

Agnes de Mille writes extremely honestly about herself in this memoir, often self-deprecatingly. Her tremendous skill as a writer is evident from the start.She comes from a family of intellectuals: Father was William C. de Mille (playwright, writer and director) and uncle Cecil B. de Mille (renowned producer-director). Her father and uncle built the name that is synonymous with movie making and production... Hollywood. The filming lots in those days were little more than scrub land with snakes wondering around the grass.She says of her father that: He was a display of intellectual pyrotechnics when speaking.And of her uncle: He was a delightful conversationalist and an exuberant raconteur, leaning on exaggeration.Not forgetting her mother, Mrs. de Mille, who also possessed a great intellect and was a tremendous influence on her.And that is where Agnes grew up. Amongst some of the most famous stars of the silent movie era and the talkies, surrounded by creativity and intellect.After meeting Anna Pavlova, in person (the famous ballerina of the period), Agnes decided that becoming a ballet dancer was her true calling. However, her lack of physical attributes needed for the art form impeded her progress. After much hard work, struggle and other avenues, she eventually turned to choreography. This is the best thing that could have happened.Most people may not know the name Agnes de Mille, but they would have seen her choreography without realising. Productions such as: Rodeo, Oklahoma, Carousel, Brigadoon and many more. Her style was unique, a blend of American, Modern and sprinkles of Classical.I was myself a principal ballet dancer in the UK and danced with The Royal Ballet and Birmingham Royal Ballet. During my career, I had the good fortune to perform in one of her creations. It was the ballet Fall River Legend about the life of Lizzie Borden (an American) who was tried and acquitted for the 1892 axe murder of her father and stepmother.This ballet had the most amazing sinister atmosphere created with hardly any choreography or movement.In Agnes' version, Lizzie is found guilty and hanged. The reason I was given (by the person setting the production) was that the composer could only compose hanging music. I actually believe Lizzie was guilty of the crime.Agnes has very strong views about dance throughout, which she voices most eloquently. Some of her views I don't share, but at least she stands by them and doesn't take a vague, politically correct and diplomatic position. However, she is from a different era and this has to be remembered when reading this wonderful book.The book is entertaining, humorous and replete with anecdotes and wonderful prose. Given that she was a physical person throughout her life, and she expressed herself through movement and choreography, her skill as a writer is second to none.This is a book worth reading.I loved it.Sergiu Pobereznic (author)

Agnes De Mille may be known best for her choreography of 'Oklahoma!' She transformed dance on Broadway, and works like 'Rodeo' and 'Fall River Legend' are still performed. 'Dance to the 'Piper' is her autobiography, written in 1951, just a few years after 'Oklahoma!' hit the stage.The book tells how she became captivated by dance after seeing Pavlova. Her career followed, despite the disapproval of her parents. Success did not come quickly and she lived mostly hand to mouth, depending on the kindness and generosity of family and friends, in London, New York, and elsewhere through the 1930s and beyond. Indeed, as World War II broke out, she had decided to give up dancing. But her failures gave her experience and the friendship of many of the young guiding lights of dance, people, like Martha Graham, who were revolutionizing what dance could be.She writes well and honestly. The book emerged from snippets written at odd hours in odd places. But, pieced together, De Mille shows the talent of a novelist. The chapter on 'Rodeo' is an picture of a first night performance--a triumph--that many performers will recognize. It will leave some readers ecstatic.My knowledge of modern dance and ballet is sadly lacking. Until I read 'Dance to the Piper,' I was no fan of De Mille. I am now.

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